Why it works, not just how it's made
Breakdowns of the techniques behind motion graphics and editorial animations. What the best channels do, why it works on viewers, and how to apply the thinking to your own work. Demonstrated in After Effects, applicable anywhere.
In this Adobe After Effects tutorial I show you...
In this Adobe After Effects tutorial I show you...
In this Adobe After Effects tutorial I show you...
In this After Effects video I show you how to m...
In this video I show you all the advantages of ...
In this After Effects tutorial I teach you how ...
In this video I show you how to make this very ...
In this video I show you how to create this rea...
In this Adobe After Effects tutorial I show you...
In this Adobe After Effects tutorial I show you...
In this Adobe After Effects tutorial I show you...
In this After Effects video I show you how to m...
Beginner
Animation Master
Learn After Effects from zero and build your first real animations: maps, graphs, animated graphics. Step-by-step where you need it, with the design thinking layered in from day one.
50 Animations • 540+ Minutes • After Effects
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Intermediate
Animation Pro
Concept, design and build advanced editorial work: documentary sequences, 3D maps, data and typography. Every project was designed to teach a way of thinking you can reuse, not just a result you can copy.
12 Animations • 470+ Minutes • After Effects
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Beginner Friendly
GEOlayers 3
The signature of the explainer style, taught start to finish. Build professional map animations with GEOlayers 3 inside After Effects. No prior experience needed.
9 Animations • 180+ Minutes • After Effects
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The Source Files
Get the project files from my YouTube tutorials. One payment.
One payment & Lifetime access. Open the real comps behind the videos, pull them apart, and see exactly how every map, graph and transition was actually built. Yours for life, including every file I add in the future.
GET THE SOURCE FILES →
Flat Pack FX
The why behind the motion graphics in your favourite explainer videos.
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